The objective of consecrating this medallion of Luang Pu Khao Analayo R.E.196 was to present this batch of amulets to the King and in return, to create great merits for the prosperity of the people and the country of Thailand. Many different groups of people were involved in this grand ceremony and many lay-people participated in the work involved.
The medallion of Luang Pu Khao Analayo was also created as a follow up to the great ceremony of consecrating the medallions of Luang Pu Waen Sujinno Roon Tun Klao C.E. (Chula Era) 1338 on the 11th of December B.E.2519, also to be presented to the King. The medals of Luang Pu Waen were so popular that they were completely distributed to the people and many devotees swore by the amulets for their miracles. As the words and experiences spread, many people who missed out on Luang Pu Waen's medals wanted them and in answer to the people's request, the medals of Luang Pu Khao were also created for this purpose.
The council members responsible for this project initially had to convene in a meeting to decide on which Buddhist master's image should be used. The criteria was that the Guru monk must be of high reverence by the public, who lives his monastic life diligently and observing the precepts, does charitable works and propagates Buddhism, is of compassionate nature and of high Dhamma practice and most importantly undistracted by city life. It is natural that the general public will think of the great meditation master Acharn Mun Bhuridatto and the choice was narrowed down to his disciple Luang Pu Khao Analayo. Even though at the age of 92 when the medals were consecrated, Luang Pu Khao was mindful at all times and his practice showed through his actions. It was believed that at the time nobody else could match Luang Pu Khao in terms of his mindfulness and high meditation practice. It was decided that Luang Pu Khao's image was to be used for the medallions since he was widely accepted by the public as a great master of his time.
There were only 2 types of materials used, namely Nur Thong Kam (gold) and Nur Nawak (9-metal alloy). There were 2 moulds which were created, Phim Yai (large) and Phim Lek (small). 29 guru monks who were also very popular were invited to inscribe sacred scripts (Yantra) on the metal sheets before they were to be melted and reproduced for the minting process (with specific regards to the Nur Nawak pieces) between the years B.E.2519 to B.E.2521. The guru monks were also invited to the main consecration ceremony in B.E.2521 and the main chanting emphasized on the radiating of loving-kindness and compassion. The guru monks involved were:
1. Somdej Sangkaraj Phra Ariyawongsatyan, Wat Ratchaborphit, Bangkok
2. Somdej Phra Yansangworn, Wat Bowornnives, Bangkok
3. Luang Pu Khao Analayo, Wat Tham Khlong Phaen, Udon Thani
4. Luang Pu Waen Sujinno, Wat Doi Mae Pang, Chiangmai
5. Luang Pu Pleuang, Wat Suwannaphum, Suphanburi
6. Luang Pu Inthachoto Maha Thera, Wat Yang, Phetburi
7. Luang Phor Thoop, Wat Soon Thon
8. Luang Pu Pherm, Wat Klang Bang Keaw, Nakhon Pathom
9. Luang Pu Toh, Wat Pradoochimplee, Bangkok
10. Luang Pu Yai, Wat Sakae
11. Luang Phor Phai Thoon, Wat Pho Nimit, Bangkok
12. Luang Phor Thate, Wat Hin Mak Paeng
13. Luang Phor Thira, Wat Palelai, Suphanburi
14. Luang Phor Thong Yoo, Wat Mai Nong Pha Ong
15. Luang Phor Tae Khong Thong, Wat Sam Ngam, Nakhon Pathom
16. Luang Phor Seng, Wat Kallaya
17. Luang Phor Prink, Wat Bosth Kong Thanoo
18. Luang Phor Thiam, Wat Kasattrathiraj, Ayuthaya
19. Luang Phor Neuang, Wat Chulamanee, Samutsongkram
20. Luang Phor Sood, Wat Kalong
21. Luang Phor Pae, Wat Pikulthong, Singburi
22. Luang Phor Iea, Wat Ban Dan, Prachinburi
23. Luang Phor Chuey, Wat Kaw Loy
24. Luang Phor Juan, Wat Nong Soom, Singburi
25. Luang Phor Chaem, Wat Don Yai Hom, Nakhon Pathom
26. Luang Phor Boon, Wat Wang Manao
27. Luang Phor Cheua, Wat Yai Bam Phen Boon
28. Luang Phor Uttama, Wat Wang Wiwekaram, Kanchanaburi
29. Luang Phor Ngern, Wat Donyaihom, Nakhon Pathom
Crown Princess H.R.H Sirindhorn was also invited to inscribe her signature on the reverse side of the mould, making the medallions of this batch officially recognized by the Royal family and also to bless the public with prosperity due to the involvement of a Royal family member.
The last blessing ceremony for this batch of medallions was held in Wat Bowornnives on Saturday, 1st of July, B.E.2521.
自身铜牌伦崇迪R.E.196（拉达那哥欣时代196年），龙婆考瓦潭孔蓬佛寺，佛历2521（1978年）。大模，九宝铜材质。
此批龙婆考R.E.196铜牌是为了送给泰王，并为泰国人名祈福国泰民安。很多不同人士参加了这个盛大的仪式。
此批龙婆考R.E.196铜牌的制造也是为了延续龙婆元佛历2519的伦Tun Klao铜牌。龙婆元的佛牌很受欢迎并发送完毕，很多信徒佩带了发生很多奇迹。消息传播后，很多人都想要龙婆元的铜牌。为了满足大家的请求，就制造了这批龙婆考铜牌。
负责该项目的理事会成员最初召开了会议，决定应使用哪位大师的形象。标准是，上师要受大众崇敬，很用心地过他的修道生活和严守戒律，做慈善工作和推广佛教，富有同情心的，实践正法的，最重要的是没有被城市生活分心。很自然的普罗大众会想起伟大的禅修大师阿赞曼，并锁定他的弟子龙婆考。即使在加持的时候，师傅已经92岁，龙婆考还是很专注的，并通过他的行动证明。有人认为，在当时没有其他人能在他的正念和禅修方面和龙婆考匹配。最后决定在铜牌上使用龙婆考的形象，因为他是广为大众所接受，并公认是那个时代的大师。
此批佛牌只有2种材料，金和九宝铜。使用了2种模具，大模和小模。29位很受欢迎的高僧应邀在金属片上写经文，并于佛历2519-2521年期间溶入材料中。这29位高僧也应邀出席佛历2521的加持仪式，诵经主要强调的是慈爱和怜悯。这些高僧是：
1。崇迪桑卡拉帕Ariyawongsatyan，Wat Ratchaborphit，曼谷
2。崇迪帕Yansangworn，Wat Bowornnives，曼谷
3。龙婆考Analayo，Wat Tham Khlong Phaen，乌隆他尼
4。龙婆元Sujinno，Wat DoiMaePang，清迈
5。龙婆Pleuang，WatSuwannaphum，素攀武里
6。龙婆Inthachoto Maha Thera，Wat Yang，Phetburi
7。龙婆Thoop，Wat Soon Tho
8。龙婆Pherm，Wat Klang Bang Keaw，Nakhon Pathom
9。龙婆多，Wat Pradoochimplee，曼谷
10。龙婆Yai，Wat Sakae
11。龙婆Phai Thoon，Wat Pho Nimit，曼谷
12。龙婆Thate，Wat Hin Mak Paeng
13。龙婆Thira，Wat Palelai，素攀武里
14。龙婆Thong Yoo，Wat Mai Nong Pha Ong
15。龙婆爹，Wat Sam Ngam，Nakhon Pathom
16。龙婆Seng，Wat Kallaya
17。龙婆Prink，Wat Bosth Kong Thanoo
18。龙婆Thiam，Wat Kasattrathiraj，Ayuthaya
19。龙婆Neuang，Wat Chulamanee，Samutsongkram
20。龙婆Sood，Wat Kalong
21。龙婆培，Wat Pikulthong，Singburi
22。龙婆伊雅，Wat Ban Dan，Prachinburi
23。龙婆Chuey，Wat Kaw Loy
24。龙婆Juan，Wat Nong Soom，Singburi
25。龙婆Chaem，Wat Don Yai Hom，Nakhon Pathom
26。龙婆Boon，Wat Wang Manao
27。龙婆Cheua，Wat Yai Bam Phen Boon
28。龙婆Uttama，Wat Wang Wiwekaram，Kanchanaburi
29。龙婆银，Wat Donyaihom，Nakhon Pathom
公主H.R.H Siridhorn殿下还应邀把她的签名签在模具的背面，代表这批铜牌是王室官方正式承认的，同时也祝福市民丰盛。
最后的加持仪式于佛历2521年7月1日，星期六，在Wat Bowornnives举行。
CODE: 804017
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